Bient么t Max
19min
In the early 1880s, Mathilde de Morny is not yet called Max. As a young bride, she spends a weekend in Normandy while her husband accuses her of sapphic adultery. A fantasized, kaleidoscopic and anachronistic portrait that bets on the emancipatory role of fiction in the construction of identities.
Storyline
In the early 1880s, Mathilde de Morny is not yet called Max. As a young bride, she spends a weekend in Normandy while her husband accuses her of sapphic adultery. A fantasized, kaleidoscopic and anachronistic portrait that bets on the emancipatory role of fiction in the construction of identities.