
Fale Comigo Verão: O diário de um cineasta amador
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Storyline
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Carandiru
7.6Oppenheimer
8.1Amélie
7.9Nomadland
7.2The Truman Show
8.1Bohemian Rhapsody
8.0The Shawshank Redemption
8.7Annie Hall
7.7Joker
8.1Spirited Away
8.5The Lord of the Rings: The Fellowship of the Ring
8.4A Star Is Born
7.5The Hunger Games: Catching Fire
7.4The Seventh Seal
8.2The Godfather
8.7Thelma & Louise
7.6Spider-Man 3
6.4The Boy in the Striped Pyjamas
7.8The Goonies
7.5The Lighthouse
7.5