16 millimetri alla rivoluzione
Navigating freely among the images produced for the Italian Communist Party between the 1950s and the '80s by important Italian directors, and after encountering the gaze of Luciana Castellina, the legendary communist politician and a founder of the “Manifesto,” a woman who has never been orthodox and still today is a tireless organizer, Giovanni Piperno ponders the significance of the “party-giraffe” - as Togliatti once defined it – and, above all, what still remains of an experience that involved millions of people in an attempt to transform themselves and the world.
Storyline
Navigating freely among the images produced for the Italian Communist Party between the 1950s and the '80s by important Italian directors, and after encountering the gaze of Luciana Castellina, the legendary communist politician and a founder of the “Manifesto,” a woman who has never been orthodox and still today is a tireless organizer, Giovanni Piperno ponders the significance of the “party-giraffe” - as Togliatti once defined it – and, above all, what still remains of an experience that involved millions of people in an attempt to transform themselves and the world.
The Terrace
7.2Poor Things
7.7The Shawshank Redemption
8.7Get Out
7.61917
8.0A Clockwork Orange
8.2The Silence of the Lambs
8.3Birdman or (The Unexpected Virtue of Ignorance)
7.5Eternal Sunshine of the Spotless Mind
8.1The Prestige
8.2Suspiria
7.5The Cabin in the Woods
6.6Requiem for a Dream
8.0The Nice Guys
7.1Solaris
7.8The Seventh Seal
8.2Blue Velvet
7.6The Road
7.0Tenet
7.2Inception
8.4