Taboo: Amos Guttman
While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.
Storyline
While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.
My Old Ass
6.9Django Unchained
8.2Dune
7.8The Matrix
8.2Joker
8.1The Lord of the Rings: The Two Towers
8.4Oppenheimer
8.1Interstellar
8.4Dune: Part Two
8.1The Martian
7.7The Wild Robot
8.4The Batman
7.7The Shawshank Redemption
8.7Tenet
7.2Pirates of the Caribbean: The Curse of the Black Pearl
7.8Get Out
7.6The Good, the Bad and the Ugly
8.5Spider-Man: Across the Spider-Verse
8.41917
8.0Challengers
7.0