Invisible Adversaries
Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions
Storyline
Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions
Nightbirds
5.5Avatar: Scene Deconstruction
6.5Capturing Avatar
7.0Avatar: Creating the World of Pandora
6.4Avatar
5.9Day Watch
6.2The Hunted
6.2Underworld: Awakening
6.3How I Unleashed World War II, Part II: Following the Arms
7.6Cold Prey II
6.3Red
6.0A
5.9The Ghost of Lord Farquaad
6.0Here Comes the Boom
6.2The Second Renaissance Part I
7.4Battlestar Galactica: Razor
7.2Species II
5.2Red
5.5OMG: Oh My God!
7.2Natsamrat
8.1