Un cinéma sous influence
We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.
Storyline
We had to wait until the Spanish “Movida” of the 1980s to see films that did not emanate from Francoist propaganda. But Spain had already experienced a period of cinematic splendor, during the civil war, when the film studios were under the control of the Republicans. By describing the "competition" between Republican and Francoist cinemas of the time, Richard Prost provides a unique vision of the Spanish Civil War.
Return
6.3Terminator Salvation
6.1Meus 15 Anos
6.7Star Trek Beyond
6.8The Host
6.3Transformers: Beginnings
6.9Star Trek IV: The Voyage Home
7.1Batman: Strange Days
7.0Atlantis: Milo's Return
6.3RETURN
7.7Return of the Jedi
7.9Interstellar: Nolan's Odyssey
7.7Return
7.1Soar Into the Sun
6.6Lion, London Zoological Gardens
5.2Honey 3: Dare to Dance
6.6Sabotage
5.6A Taxing Woman's Return
6.5Belle and Sebastian: The Adventure Continues
6.9The Little Mermaid
5.0