N'importe Quoi (Extérieur - Jour)
The second part of the N'importe Quoi series, the first being N'importe Quoi (for Brunhild), also comprises footage of Brunhild Meyer-Ferrari at her home in Montreuil, in the eastern suburbs of Paris, and at various other sites in the city, along with a set of sound recordings by Eric La Casa and music by Meyer-Ferrari. Fowler’s subject, German composer Brunhild Meyer-Ferrari, moved to Paris in the late 50’s and eventually married Luc Ferrari. Meyer-Ferrari produced a number of works of radio art in the 70’s and 80’s and has emerged as a significant composer over the past decade following her husband’s passing.
Storyline
The second part of the N'importe Quoi series, the first being N'importe Quoi (for Brunhild), also comprises footage of Brunhild Meyer-Ferrari at her home in Montreuil, in the eastern suburbs of Paris, and at various other sites in the city, along with a set of sound recordings by Eric La Casa and music by Meyer-Ferrari. Fowler’s subject, German composer Brunhild Meyer-Ferrari, moved to Paris in the late 50’s and eventually married Luc Ferrari. Meyer-Ferrari produced a number of works of radio art in the 70’s and 80’s and has emerged as a significant composer over the past decade following her husband’s passing.