Red cuts and the air in between
1985 4min
Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or completely in red. You can see Pürrer lustful, rolling her eyes back, and throwing combative glances. On the hectic soundtrack you hear screams, sounds of fighting, things breaking.
Storyline
Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or completely in red. You can see Pürrer lustful, rolling her eyes back, and throwing combative glances. On the hectic soundtrack you hear screams, sounds of fighting, things breaking.