White Epilepsy
Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where, then? Maybe from the depths behind our eyes, ungraspable visions, night in suspension, promise of the end of an eclipse, between dream and nightmare. This is the start (and in truth the programme) of White Epilepsy. In a darkness barely broken by light, a mass advances: a nude back, in a long shot entirely centred on the shoulders.
Storyline
Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where, then? Maybe from the depths behind our eyes, ungraspable visions, night in suspension, promise of the end of an eclipse, between dream and nightmare. This is the start (and in truth the programme) of White Epilepsy. In a darkness barely broken by light, a mass advances: a nude back, in a long shot entirely centred on the shoulders.
Murderess
5.6Re-Kill
6.1Lola's Secret
7.3Hannibal
4.5The Italian
5.21
6.7Topaz
6.0Toto and the Kings of Rome
7.0The Sea
5.4Monster Truck Mater
6.2Iron Sky: The Coming Race
5.1Some Say No
5.7Ararat
6.2Then She Found Me
5.6Scandal
5.9Kaiji: Final Game
6.8Frivolous Lola
5.2The Under-Gifted In Vacation
5.4Hello
6.1Una festa esagerata
5.7