Canyon
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974)
Storyline
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974)
Stage Door
7.0
Five Times Two
6.5
Saturday Night
6.9
Hour of the Wolf
7.4
Fremont
6.4
Trance
6.8
Young Ahmed
6.3
Evil Does Not Exist
6.8
Your Christmas or Mine 2
6.2
Inuyasha the Movie 4: Fire on the Mystic Island
7.5
Small Things Like These
6.8
Knife in the Water
7.3
Midnight Express
7.5
Egon Schiele: Death and the Maiden
6.8
Queen of Hearts
6.9
Daaaaaalí!
6.2
Lovers
5.4
Slap the Monster on Page One
7.6
The Rat Catcher
6.6
Both Sides of the Blade
5.5