Color Cry
In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive
Storyline
In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive
Return to Sleepaway Camp
5.8Saw V
6.2Jarhead: Law of Return
6.5Return to Sender
6.1Return of the Living Dead III
6.6Justin Bieber's Believe
7.1The Land Before Time X: The Great Longneck Migration
6.3Scream 2
6.5Guardians of the Galaxy Vol. 2
7.6SlugTerra: Return of the Elementals
6.9Insidious: Chapter 3
6.3Cold Prey II
6.4Allegiant
6.1Universal Soldier: The Return
5.9Darkman II: The Return of Durant
5.6XOXO
6.0Atlantis: Milo's Return
6.3Bonanza: The Return
6.5Jurassic World: Fallen Kingdom
6.5Thor: Ragnarok
7.6