Tokyo Giants
Provost shot this final part of the 'Plot Point' Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called 'cinema' is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.
Storyline
Provost shot this final part of the 'Plot Point' Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called 'cinema' is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.
Christmas at Carbell Family Farm
6.3Paradise: Faith
6.6Christmas at the Drive-In
5.912
5.6Barefoot Gen
7.5Everybody Dies But Me
5.5The Rye Horn
6.3The Boy Who Killed My Parents
6.3Bleach the Movie: Hell Verse
7.6Merry Christmas
5.3Q
5.9Maine-Ocean Express
5.9Mobile Suit Gundam SEED FREEDOM
6.7Dave Chappelle: The Dreamer
6.9Bank of Dave
7.0Bloody Daddy
5.9Face to Face with ETA: Conversations with a Terrorist
7.1Pokémon: Giratina and the Sky Warrior
6.7G-Loc
5.5A Better Tomorrow III: Love and Death in Saigon
6.5