Tokyo Giants
Provost shot this final part of the 'Plot Point' Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called 'cinema' is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.
Storyline
Provost shot this final part of the 'Plot Point' Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called 'cinema' is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.
Ebirah, Horror of the Deep
6.3
Slash-O-Lantern
5.2
VBK 1 Valor Bare Knuckle
6.8
Bad Bear
8.3
A
5.8
Moscowin Kavery
6.8
Flow
9.3Insane Fight Club
6.8
Saturday Night's Main Event XXXVII
7.0
Lion, London Zoological Gardens
5.2
La femme de Rio
6.7
John
7.6
P.K.P.
5.6
The Sons of the Leopard
5.8
Flow
8.0
Call
6.8
The Illusion
7.1
Re-Cut
6.6
If I Were You 2
6.1