Escape (Synchronomy No. 4)
To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
Storyline
To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
Outrage Coda
6.8Noryang: Deadly Sea
6.3The Godfather Trilogy: 1901-1980
8.9Captain Miller
6.9Daaaaaalí!
6.2The Dunes
6.0Apaixonada
6.6A Madonna in Laleli
6.1The Old Oak
7.2The Fourth King
6.3The FGM Detectives
6.6Gasping for Air
6.6The Bad News Bears
6.9White Courage
6.2Czechoslovak Architecture 58–89
3.0Bill Burr Presents: Friends Who Kill
5.6Drive-Away Dolls
5.4Woman in the Dunes
8.2Foe
5.7The Gospel According to Matthew
7.4