Everyman
In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.
Storyline
In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.
Sister Act 2: Back in the Habit
6.4Suck Me Shakespeer 3
6.0French Fried Vacation
6.6The Kissing Booth 2
7.6Bombshell
6.8A New Girl in Paris!
6.4Bring It On Again
6.0Hold the Dark
5.4Mommy
8.2Teen Beach 2
6.8Detroit
7.3Heartbeats
7.1WALL·E
8.1Lorenzo's Oil
7.1Decalogue III
7.1The BFG
6.3Mamma Mia! Here We Go Again
7.1What a Beautiful Day
6.5John Tucker Must Die
6.1Tulip Fever
6.5