Our Nazi
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
Storyline
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
MY BBY 8L3W
10.0
School of Thieves 2
5.3
L'allenatore nel pallone 2
4.5
The Madness Express
4.1
A
6.1
The Naked Spur
6.9
Leo
6.9
1
6.2
Objective: 500 Million
5.7
A Real Job
6.3
The Two Missionaries
6.5
Hunt
6.7
C(r)ook
7.1
My Favorite Wife
6.9
Occhio, malocchio, prezzemolo e finocchio
5.8
Vagabond
7.3
Law of Desire
7.2
Race to the Summit
6.9
The Rapture
6.8
The Women
7.1