The Distance
A heist film unlike any you've ever seen. In his second film (following his debut Finisterrae), Sergio Caballero plays fast and loose with all the laws of genre filmmaking. The ‘distance’ in the title is the ultimate MacGuffin - the term coined by Hitchcock for the thing the characters are pursuing, but which for the audience is completely meaningless. The fact that everyone communicates by telepathy enables Caballero to ‘speak’ a lingua franca made up of many different languages: from the Russian of the dwarves and the guard, to the German of the artist and the Chinese of the guard with the brazier.
Storyline
A heist film unlike any you've ever seen. In his second film (following his debut Finisterrae), Sergio Caballero plays fast and loose with all the laws of genre filmmaking. The ‘distance’ in the title is the ultimate MacGuffin - the term coined by Hitchcock for the thing the characters are pursuing, but which for the audience is completely meaningless. The fact that everyone communicates by telepathy enables Caballero to ‘speak’ a lingua franca made up of many different languages: from the Russian of the dwarves and the guard, to the German of the artist and the Chinese of the guard with the brazier.
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Beetlejuice Beetlejuice
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Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
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Leprechaun 2
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Lake Placid
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Wrong Turn 3: Left for Dead
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Fantastic Beasts: The Crimes of Grindelwald
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Species: The Awakening
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Terrifier 3
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Maleficent: Mistress of Evil
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The Woman in Black 2: Angel of Death
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Gigantic
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John Wick
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All of Us Strangers
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Fifty Shades Darker
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Passengers
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The Hole in the Ground
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