Foregrounds
"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice
Storyline
"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice
Man
6.8Coup de Chance
6.2LaRoy, Texas
6.9The Great Outdoors
6.5Knock at the Cabin
6.3Kingdom III: The Flame of Destiny
7.5Kneecap
7.2Face to Face with ETA: Conversations with a Terrorist
7.0Tuesday
6.8Azrael
6.0Good Grief
6.3Flow
8.0Darkland: The Return
6.4Lord
7.6A
5.7Return
6.4Werewolves
6.2The Walking Dead: The Return
7.3The Roundup: No Way Out
7.2