The Cinema and the Wind and Photography
How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy, comes to its own right in the first place? Where in its mis-en-scène would be the line drawn to a fictional film, if drawing a line would succeed at all? These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters.
Storyline
How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy, comes to its own right in the first place? Where in its mis-en-scène would be the line drawn to a fictional film, if drawing a line would succeed at all? These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters.
Man
7.3
The Return
6.1
Return to Halloweentown
6.7
Bāhubali 2: The Conclusion
7.4
Return to Jurassic Park
6.6
Return to Seoul
6.2
Justice League: Crisis on Infinite Earths Part Two
6.9
Return of Punch and Judy
7.2
Beyond Outrage
7.0
Wolves
5.9
Wrong Turn 3: Left for Dead
5.7
L.E.T.H.A.L. Ladies: Return to Savage Beach
6.1
The Disappearance of Eleanor Rigby: Him
6.7
Pokémon the Movie: Kyurem vs. the Sword of Justice
6.4
Dorchester's Revenge: The Return of Crinoline Head
5.7Man
6.7
Alice in Terrorland
6.0
Slayers Return
6.6
Aurora Teagarden Mysteries: An Inheritance to Die For
7.1
El ratero de la vecindad 2
7.8