
Nightshift
It is night and, in the foyer of a small hotel, a receptionist performs her tasks, unhurried and impassive, her face ghost-white, an emotional mask. Like the camera, she gazes steadily, both silent spectator and vicarious participant in the fantasies played out by the hotel's transient guests. As the night progresses, she answers a phone, hands over a key; guests pass back and forth gradually taking on a dream-like presence. She continues to work and, when morning comes, she leaves, her nightshift over. 'NIGHTSHIFT shows what film can do if the conventional pace of narrative is slowed down and montage diminished. It is not a new idea, of course, but the way it is done here is both absorbing to look at and satisfying from the moral point of view.' (Jill Forbes, Monthly Film Bulletin)
Storyline
It is night and, in the foyer of a small hotel, a receptionist performs her tasks, unhurried and impassive, her face ghost-white, an emotional mask. Like the camera, she gazes steadily, both silent spectator and vicarious participant in the fantasies played out by the hotel's transient guests. As the night progresses, she answers a phone, hands over a key; guests pass back and forth gradually taking on a dream-like presence. She continues to work and, when morning comes, she leaves, her nightshift over. 'NIGHTSHIFT shows what film can do if the conventional pace of narrative is slowed down and montage diminished. It is not a new idea, of course, but the way it is done here is both absorbing to look at and satisfying from the moral point of view.' (Jill Forbes, Monthly Film Bulletin)
Good Will Hunting
8.2Forrest Gump
8.5Inglourious Basterds
8.2Blade Runner
7.9Pulp Fiction
8.5Back to the Future
8.3The Dark Knight
8.5Inception
8.4Prometheus
6.6The Thing
8.1Kill Bill: Vol. 1
8.0Anora
7.1The Dark Knight Rises
7.8Oppenheimer
8.1Avatar: The Way of Water
7.6The Departed
8.2Iron Man
7.7Alien
8.2The Empire Strikes Back
8.4The Lord of the Rings: The Fellowship of the Ring
8.4