Cinematic Correspondences: Isaki Lacuesta - Naomi Kawase
The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.
Storyline
The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.
Main Krishna Hoon
6.1East of Main Street: Asians Aloud
6.1Maine Gandhi Ko Nahin Mara
5.7Disney Presents: Main Street Electrical Parade - Farewell Season
5.4Maine-Ocean Express
5.8Chou Deneiban SD Gundam Sangokuden Brave Battle Warriors
6.1Maine Pyaar Kyun Kiya?
5.4Mobile Suit SD Gundam Mk II
5.8Liberation: Direction of the Main Blow
6.0Midnight Movies: From the Margin to the Mainstream
6.3Maine Pyar Kiya
5.964: Part 2
7.4Wizards of Waverly Place: Wizard School
8.7East of Main Street: Milestones
5.9Main Street
6.2Travelling Hawkers in Frankfurt am Main
6.2Next Exit, Main Street
6.3Three Heroes on Distant Shores
5.8Brent Weinbach: Appealing to the Mainstream
5.9Ni Main Sass Kuttni 2
6.2