Film Gaudí
When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.
Storyline
When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.
Bazin's Film
7.0Strange Object
6.0Tajomaru: Avenging Blade
7.1Senritsu Kaiki File Kowasugi! Preface: True Story of the Ghost of Yotsuya
6.7Life of a Mutt
10.0The Boy Who Couldn't Sleep and Never Had To
10.0Mantovani, the King of Strings
6.0J'irai dans la mer
0.0Gasping for Air
6.6I Can I Will I Did
7.0Why Ahmadiyyas are not Muslims
10.0Колобок
8.3Thozhar Venkatesan
6.0The Corrs: Live at Lansdowne Road
7.7April Fool
7.0Oh, Sorry
8.8Speak Up! It's So Dark
5.5Grow!
0.0