Shadows from Light
Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of "distorted nudes", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.
Storyline
Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of "distorted nudes", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.
Ashes of Time
7.1The Quiet
6.2Heaven Can Wait
6.9Thelma
6.8Hellraiser: Revelations
3.6The House by the Cemetery
6.3The Package
6.1Samurai III: Duel at Ganryu Island
7.3Cahill: United States Marshal
6.1The Quiet Family
7.1A Star Is Born
7.1Jim Jefferies: This Is Me Now
6.8247°F
5.6Red Sun
6.9Forget Me Not
5.4Toilet: A Love Story
6.8The Commune
6.5Heroin(e)
6.9Mutiny on the Buses
7.4