Britten: The Rape of Lucretia
Sarah Connolly's 'outstanding' (The Guardian) portrayal of the wronged Roman noblewoman, written originally for Kathleen Ferrier, lies at the hear of David McVicar's powerfully stark production for English National Opera as 'an everyday sort of woman who could be living at any time or place'. Her nemesis is the arrogant Tarquinius of Christopher Maltman, 'who made the air tingle with danger' (Financial Times). Sung in English.
Storyline
Sarah Connolly's 'outstanding' (The Guardian) portrayal of the wronged Roman noblewoman, written originally for Kathleen Ferrier, lies at the hear of David McVicar's powerfully stark production for English National Opera as 'an everyday sort of woman who could be living at any time or place'. Her nemesis is the arrogant Tarquinius of Christopher Maltman, 'who made the air tingle with danger' (Financial Times). Sung in English.
The Metropolitan Opera: Capriccio
8.0
My Mother's Castle
7.2
The Gauntlet
6.6
PTU
6.9
Horse Feathers
6.9
Starman
6.9
Six-String Samurai
6.2
Diary of a Country Priest
7.5
The Bird with the Crystal Plumage
7.2
Six Bridges to Cross
6.2
Pale Rider
7.2
Iris Blond
6.0
Basket Case
6.3
Like Someone in Love
6.9
Le Cercle Rouge
7.6
Zombie Flesh Eaters
6.7
The Front Page
7.3
The Adventures of Sherlock Holmes
6.8
Love in the Afternoon
7.0
The Happiness of the Katakuris
6.9