Cinéma documentaire, Fragments d'une histoire
Resorting to the images that make up three quarters of the last century, Jean-Louis Comolli chose films that crossed his path fifty years ago, discovering his own history of cinema, and particularly the documentary cinema. Visual score orchestrated by a voice off (his) which lists topics that are important to him - the place of the viewer, the fiction in the documentary, the impact of technical progress on the artistic field ... -, the film weaves unpredictable wires between the excerpts .
Storyline
Resorting to the images that make up three quarters of the last century, Jean-Louis Comolli chose films that crossed his path fifty years ago, discovering his own history of cinema, and particularly the documentary cinema. Visual score orchestrated by a voice off (his) which lists topics that are important to him - the place of the viewer, the fiction in the documentary, the impact of technical progress on the artistic field ... -, the film weaves unpredictable wires between the excerpts .
64: Part 2
7.4Box
4.5Box
6.2Fight!
5.9Box
5.0Robert Schimmel: Life Since Then
6.6Box
6.4Mantovani, the King of Strings
6.0HOME
6.8TEN RUPEES NOTE
9.0Scooby-Doo! and the Sea Monsters
9.7Mega Man Maverick Hunter X: The Day of Σ
7.6Young and Dangerous 5
6.2Box
6.4Pound x Pound: The History of Juan Manuel Márquez
6.1type.
5.2way
5.7To Inflict
10.0The Mighty Pawns
6.0Six: Inside
8.5