Musical Outsiders: An American Legacy
American composers have long struggled against the momentum of the Western European classical tradition and the prestige it has held in America's cultural life. "I did not want to have any stricture at all, I wanted to be completely free." So spoke Harry Partch, describing not only his own path, but also that of two other influential American composers: Lou Harrison and Terry Riley. They were attracted to musical ideas and sounds outside of the surrounding classical mainstream. Together they offer a deeper understanding of what those alternatives are and how they have affected American culture.
Storyline
American composers have long struggled against the momentum of the Western European classical tradition and the prestige it has held in America's cultural life. "I did not want to have any stricture at all, I wanted to be completely free." So spoke Harry Partch, describing not only his own path, but also that of two other influential American composers: Lou Harrison and Terry Riley. They were attracted to musical ideas and sounds outside of the surrounding classical mainstream. Together they offer a deeper understanding of what those alternatives are and how they have affected American culture.
Compartment No. 6
7.0Nesterka
7.5Red
5.8Two Witches
6.0The Rat Catcher
6.6Don't Hug Me I'm Scared 4
7.8Between Two Worlds
7.0La Grande Bouffe
7.2À dix minutes de nulle part
5.9Yu Pui Tsuen II
5.7Carrossel 2: O Sumiço de Maria Joaquina
6.2The Arrival of a Train at La Ciotat
7.1Freche Mädchen 2
5.4Galaxy of Terror
5.3Natale in crociera
4.9Living with Michael Jackson: A Tonight Special
5.2A.R.C.H.I.E.
6.1Jim Button and Luke the Engine Driver
6.5Midnighters
5.7Burning Sands
5.9