Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
Storyline
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
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6.1Return
6.3
Bonanza: The Return
6.5
Return
6.6
The Return of Martin Guerre
6.7
Alienoid: Return to the Future
6.6Return
6.6
Return
6.6
Return to Horror Hotel
6.6
Return
6.7
Return of the Seven
6.2
The Railway Children Return
6.5
1920: Evil Returns
5.8
Naai Sekar Returns
7.0
The Return of the Texas Chainsaw Massacre
4.6Return
6.4
Return
6.0
Three Colors: White
7.5
Return
6.4
Kamen Rider W Returns: Kamen Rider Accel
6.6