Fireloop
1986 3min
Part two of the Caswallon Trilogy, and the only film in the group to also be printed as a stand-alone. Features sound.
Part two of the Caswallon Trilogy, and the only film in the group to also be printed as a stand-alone. Features sound.
At the Art Cinema in Boulder, Colo., The Sunday Associates staged an adaptation of Jane Brakhage's story of Caesar's invasion of Britain, Caswallon The Headhunter in May 1986. I contributed a hand-painted sound film-loop, as part of the special effects, FIRELOOP, as well as making two films during rehearsals; (1) the first dance film I've made, DANCE SHADOWS BY DANELLE HELANDER and (2) a film which meditates upon the unique process of creativity engendered by Denise Judson and the Sunday Associates in production, THE AERODYNE (Webster: 'heavier-than-air aircraft that derives its lift in flight from forces resulting from its motion through the air')βthe latter 2 films silent. Thus the CASWALLON TRILOGY is composed of: THE AERODYNE, silent (3.25 min); FIRELOOP, sound by Joel Haertling, Architect's Office (2.25 min); DANCE SHADOWS BY DANELLE HELANDER, silent (2.75 min)
At the Art Cinema in Boulder, Colorado, the Sunday Associates staged an adaptation of Jane Brakhage's story of Caesar's invasion of Britain, "Caswallon the Headhunter." I contributed a hand-painted film loop, as part of the special effects, as well as making two films during rehearsals: 1) the first dance film I've made, DANCE SHADOWS BY DANELLE HELANDER and 2) a film which meditates upon the unique process of creativity engendered by Denise Judson and the Sunday Associates in production, THE AERODYNE (Webster: "heavier-than-air aircraft that derives its lift in flight from forces resulting from its motion through air") - the latter two films silent.
Part two of the Caswallon Trilogy, and the only film in the group to also be printed as a stand-alone. Features sound.
At the Art Cinema in Boulder, Colorado, the Sunday Associates staged an adaptation of Jane Brakhage's story of Caesar's invasion of Britain, "Caswallon the Headhunter." I contributed a hand-painted film loop, as part of the special effects, as well as making two films during rehearsals: 1) the first dance film I've made, DANCE SHADOWS BY DANELLE HELANDER and 2) a film which meditates upon the unique process of creativity engendered by Denise Judson and the Sunday Associates in production, THE AERODYNE (Webster: "heavier-than-air aircraft that derives its lift in flight from forces resulting from its motion through air") - the latter two films silent.