Everything Everywhere Again Alive
In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed. The resulting film uses poetic strategies, including logograms and other graphic disruptions, to extend its themes of renewal and rebirth, and to mark the encounter between reason and imagination, the concrete and the abstract. A landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones.
Storyline
In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed. The resulting film uses poetic strategies, including logograms and other graphic disruptions, to extend its themes of renewal and rebirth, and to mark the encounter between reason and imagination, the concrete and the abstract. A landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones.
(re)kindle
7.4
A Nightmare on Elm Street 4: The Dream Master
5.8
Return
6.5
The Reckoning
6.5
Arizona Colt Returns
6.1
Memories of the Wind
6.8
Re/cycle
7.7
Re-Existences
7.4
Terminus
5.0
Felix and Lola
6.0
Children of Hannibal
4.8Return
6.5
Baby's Meal
5.6
The Real Inglorious Bastards
7.9
My Love, My Umbrella
10.0
Family Guy Presents: Something, Something, Something, Dark Side
7.2
Isadora's Children
6.3
Private House of the SS
5.4
Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn
6.1