Intermittences non régulées de Etienne-Jules Marey
The invention of the cinematograph by Louis and Auguste Lumière in 1895 marked the culmination - synthesis, standardisation and industrialisation - of various research carried out in previous years on the decomposition and illusion of movement through a series of fixed shots (Demenÿ, Reynaud, Muybridge, Londe, Marey...). These images are now being reworked by the generation of "post-structuralist" filmmakers, for whom the magic of the device lies in the articulation of two images, which in no way are neutral.
Storyline
The invention of the cinematograph by Louis and Auguste Lumière in 1895 marked the culmination - synthesis, standardisation and industrialisation - of various research carried out in previous years on the decomposition and illusion of movement through a series of fixed shots (Demenÿ, Reynaud, Muybridge, Londe, Marey...). These images are now being reworked by the generation of "post-structuralist" filmmakers, for whom the magic of the device lies in the articulation of two images, which in no way are neutral.