
We Want Roses Too
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
Storyline
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
Breathless
7.5The Stanford Prison Experiment
6.9Love's Labour's Lost
5.5A Brighter Tomorrow
7.1For One More Hour With You
7.3The Lion King
7.1The Handmaiden
8.2Lethal Weapon
7.3The Cabinet of Dr. Caligari
7.9Fargo
7.9The Shawshank Redemption
8.7The Breakfast Club
7.7The Return of the Living Dead
7.2The Super Mario Bros. Movie
7.610 Cloverfield Lane
7.0Meet Joe Black
7.3Once Upon a Time... in Hollywood
7.4The Blob
6.8Sleepaway Camp III: Teenage Wasteland
5.4Avatar: The Way of Water
7.6