Hot Dogs At The Met
Using the same stereoscopic animation technique of Jacobs' recent works Capitalism: Slavery (2006) and Nymph (2007), which he calls "a vigorous 3-D that can be seen without special spectacles and even by the one-eyed," Hot Dogs at the Met is a computer-generated composition of strobing, stereo snapshots from the 1970s. Unlike his other "cameraless" works, however, Hot Dogs is diaristic, subtly recalling 1960's Little Stabs at Happiness.
Storyline
Using the same stereoscopic animation technique of Jacobs' recent works Capitalism: Slavery (2006) and Nymph (2007), which he calls "a vigorous 3-D that can be seen without special spectacles and even by the one-eyed," Hot Dogs at the Met is a computer-generated composition of strobing, stereo snapshots from the 1970s. Unlike his other "cameraless" works, however, Hot Dogs is diaristic, subtly recalling 1960's Little Stabs at Happiness.