Experiencing the Flooding Red
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Storyline
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Texas Carlos Massacre
5.0Gulliver Returns
6.2Gasping for Air
6.6Czechoslovak Architecture 58–89
3.0Return to Homs
6.6Ishi's Return
6.7Return to Horror Hotel
6.6Merlin: The Return
5.1Return to Rajapur
6.8Judd Apatow: The Return
6.2Immortal Machine
7.512
6.4The Stranger's Return
6.2UFC 204: Bisping vs. Henderson 2
7.2Return of the Gunfighter
6.1The Return of the Musketeers
6.2Return Return Return
6.2The Weekend
6.1Road of No Return
5.9