Experiencing the Flooding Red
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Storyline
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Texas Carlos Massacre
5.0
Gulliver Returns
6.2
Gasping for Air
6.6
Czechoslovak Architecture 58–89
3.0
Return to Homs
6.6
Ishi's Return
6.7
Return to Horror Hotel
6.6
Merlin: The Return
5.1
Return to Rajapur
6.8
Judd Apatow: The Return
6.2
Immortal Machine
7.5
12
6.4
The Stranger's Return
6.2
UFC 204: Bisping vs. Henderson 2
7.2
Return of the Gunfighter
6.1
The Return of the Musketeers
6.2
Return Return Return
6.2
The Weekend
6.1
Road of No Return
5.9