When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang
From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.
Storyline
From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.
I Wish I Could Be Japanese
5.8
Retando A La Muerte
5.4
Beyond the Barricade
7.3
Florence Fight Club
7.4
The Scooby-Doo Project
8.2
A Nightmare on Elm Street 4: The Dream Master
5.8
Beethoven's 3rd
5.2
Mutiny on the Buses
7.4
Hell Boats
8.0
PorNO
5.2
Zombie Fight Club
5.6
With a Right to Kill
6.6
Tell Them Willie Boy Is Here
5.8
The Girl Who Kicked the Hornet's Nest
7.1
Thunderball
6.7
El jinete justiciero en retando a la muerte
5.6
Six A.M.
8.5
Little Forest: Winter/Spring
7.7
The Garage
7.3
Fight Club: Members Only
6.4