Partage des Eaux
At first glance, Jean-Claude Rousseau’s films seem like quickly outlined sketches. They are snapshots of various situations and locations, as in this program of nine miniatures, shot in hotel rooms and parks, at the shore of a lake, and – in the longest contribution – on a restaurant terrace. Rousseau’s observations of everyday life, however, are about precision rather than contemplation. With each minute that passes, they sharpen the view of the observant and expectant outsider for a moment of surprise – be it a jump into the water or a huge crucifix.
Storyline
At first glance, Jean-Claude Rousseau’s films seem like quickly outlined sketches. They are snapshots of various situations and locations, as in this program of nine miniatures, shot in hotel rooms and parks, at the shore of a lake, and – in the longest contribution – on a restaurant terrace. Rousseau’s observations of everyday life, however, are about precision rather than contemplation. With each minute that passes, they sharpen the view of the observant and expectant outsider for a moment of surprise – be it a jump into the water or a huge crucifix.
Lone Wolf and Cub: Baby Cart at the River Styx
7.3Cheaper by the Dozen 2
6.2The Sea
5.5Balto III: Wings of Change
6.7Insidious: Chapter 3
6.3American Reunion
6.3Dumb and Dumber To
5.6Pippi Longstocking
6.8Halloween: Resurrection
4.6The Land Before Time V: The Mysterious Island
6.2Step Up 2: The Streets
6.7American Wedding
6.2Small Fry
6.9Murder at the Gallop
7.0Lethal Weapon 3
6.7Balto: Wolf Quest
6.3The Brattt
5.8Leprechaun 2
5.6Spy Kids: All the Time in the World
4.7