Hopscotch
Kenji Kanesaka’s Hopscotch was presented as an event at Sogetsu Art Center in 1967, in order to create the sound recording for the film. Participants included filmmakers, musicians, and artists such as Yasunao Tone (composer), Yosuke Yamashita (jazz pianist), Jiro Takamatsu (artist), Shigechika Sato (film critic), Nobuhiko Obayashi (filmmaker), Rikyro Miyai, and others. Tone gave instructions to “hiku" (to play), a Japanese verb with multiple meanings which performers interpreted to play Majong, subtract numbers on a black board, pull the trigger of an air gun, saw a block of wood, draw a bow, etc.
Storyline
Kenji Kanesaka’s Hopscotch was presented as an event at Sogetsu Art Center in 1967, in order to create the sound recording for the film. Participants included filmmakers, musicians, and artists such as Yasunao Tone (composer), Yosuke Yamashita (jazz pianist), Jiro Takamatsu (artist), Shigechika Sato (film critic), Nobuhiko Obayashi (filmmaker), Rikyro Miyai, and others. Tone gave instructions to “hiku" (to play), a Japanese verb with multiple meanings which performers interpreted to play Majong, subtract numbers on a black board, pull the trigger of an air gun, saw a block of wood, draw a bow, etc.