#005
The fifth cartridge exposed by Yonay Boix’s super 8 camera offers a continuation of the author’s filmed journals that he carefully composes frame by frame, exploring the potential of celluloid and in-camera editing. This time, the leitmotiv is either a spot of light or a dark spot that he generates using a pierced piece of paper and a glass filter onto which he has previously painted a black dot, respectively. These procedures trace back to the mechanisms of early cameras, reminding us that what we see is not the world but the glimpse of it that a contraption was able to catch.
Storyline
The fifth cartridge exposed by Yonay Boix’s super 8 camera offers a continuation of the author’s filmed journals that he carefully composes frame by frame, exploring the potential of celluloid and in-camera editing. This time, the leitmotiv is either a spot of light or a dark spot that he generates using a pierced piece of paper and a glass filter onto which he has previously painted a black dot, respectively. These procedures trace back to the mechanisms of early cameras, reminding us that what we see is not the world but the glimpse of it that a contraption was able to catch.
Infernal Affairs II
7.3Harry Potter and the Deathly Hallows: Part 2
8.1Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
8.1The Legend of Al, John and Jack
7.1Battleship Potemkin
7.6Crouching Tiger, Hidden Dragon
7.4The Lord of the Rings: The Fellowship of the Ring
8.4Toy Story
8.0Mulan
7.9Detective Conan: Magician of the Silver Sky
7.0This Is Spinal Tap
7.4Sleepless in Seattle
6.7The Great Train Robbery
7.0The Little Devil
6.7The Birds
7.5City Hunter
6.6The Maltese Falcon
7.7Sleeping Beauty
6.9Cast Away
7.7The Silence of the Lambs
8.3