Film: The Living Record of Our Memory
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
Storyline
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
Ann Adachi-Tasch
Self
Margaret Bodde
Self
Serge Bromberg
Self
Te-Ling Chen
Self
Benjamin Chowkwan Ado
Self
Laure Adler
Self (archive footage)
Costa-Gavras
Self
Dennis Doros
Self
Patricio Guzmán
Self
Anne Hubbell
Self
Ken Loach
Self
Ben Mankiewicz
Self
Jonas Mekas
Self
Martin Scorsese
Self
Ridley Scott
Self
Vittorio Storaro
Self
Fernando Trueba
Self
Wim Wenders
Self
The Lost Weekend
7.6
Yes or No 2
6.1
Blow-Up
7.3
Two Evil Eyes
6.1
Spring
7.0
The Little Bather
6.7
Mobile Suit SD Gundam
5.5
Pi
7.1
Love at First Fight
6.5
The Longest Day
7.6
Fantozzi Still Suffers
6.5
Italian for Beginners
6.3
Blazing Saddles
7.2
The Hawks and the Sparrows
7.3
Red Beard
8.1
Reservoir Dogs
7.5
Pale Flower
7.4
The Last Waltz
7.6
Mobile Suit SD Gundam Mk IV
4.4
The Visitors II: The Corridors of Time
6.0