Pièce touchée
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
Storyline
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
Oppenheimer
8.1
Ruthless
6.6
Foxter and Max
7.2
Aftersun
7.7
Puss in Boots: The Last Wish
8.2
The Family Plan
7.3
The Marvels
6.0
100 Sundays
6.7
Kraven the Hunter
6.7
The Kill Room
5.9
The Roundup: Punishment
6.8
Kung Fu Panda 4
7.1
The Apprentice
6.9
The Roundup: No Way Out
7.2
Five Blind Dates
5.5
Rebel Moon - Part Two: The Scargiver
6.1
The Godfather
8.7
Civil War
6.9
Atlas
6.8
Mars Express
7.5